What happens when you go with an intention of watching 'Jab We Met', buy tickets for 'Saawariya' but end up watching 'Om Shanti Om'? You come back with a smile on your face.
OSO, as they call it, was not a movie I was dying to watch ever since I saw the promos. I thought Shah Rukh Khan looked too old with his six packs, Deepika looked too pretty, the set looked too made up and everyone seemed like they were trying too hard. I could not connect with anything. I read the review, like i always do, but I have never taken any review seriously, i have to watch the movie myself to say anything about it. And so i did!
I am not a Shah Rukh Khan fan. But he is a people's actor, he gives them what they want and he works his 'abs' off to do it! I admire him, and thats that. Or so I thought. His best performance to date for me is Swades. He was Mohan Bhargav and not Shah Rukh Khan.
Om shanti om in all its entirety celebrates Indian Cinema. Cinema with all its extravagance, illogic, cliched dialogues, manmohan desai style milna-bichadna, purely co-incidental, naach gaana, hundred costumes in one song, poor boy- rich girl, the maa and her dil, the kaash aaj tere pitaji zinda hote, the aaj se bees saal pahle (and beyond). The audience loved the 70s.
I have grown up watching a lot of seventies. So much so, that I can tell the name of the movie by just looking at a scene. I cant say the same about the 90s though. I am yet to come across an actor as brilliant as Amitabh Bachchan (Anand, Agneepath, Chupke Chupke, zanjeer, sholay, Deeewar), as natural as Shammi kapoor, not exactly 70s( Teesri Kasam,Junglee, Brahmachari, andaz) as romantic as Rishi Kapoor( khel khel mein, bobby,Kabhie kabhie, karz) , as versatile and effortless as Sanjeev Kumar ( you have to watch Koshish, Sholay, Khilona, Pati Patni aur Vo) as intense and as good looking as Vinod Khanna.
Not to forget the beautiful Smita Patil, Shabana Azmi (watch Arth, mirch masala) Rekha in Umrao Jaan and Khoobsurat, Jaya Bhaduri in Abhimaan, Mili, Guddi, Koshish and Sholay. Sharmila Tagore in Aradhna, Amer Prem, chupke chupke. Outstanding.
Also Amol Palekar with movies like Baton Baton mein and Golmaal. Naseeruddin Shah in masoom, sparsh and mirch masala. There was a bad bad villian, there was a too good to be true hero, then there was hero vs the establishment (mostly during the emergency) milna- bichadna still continues. Numerous love triangles, one very well made that I distinctly remember is 'Sangam.' My friends in school used to tell me, i need to go with the times. But i am a 70s fan and I love it.
Which is also why I loved OSO. yes, the dialogues could have been better, screenplay less dragging, but at the same time attention was paid to the details. In every sense of the word, OSO is an innovative movie. I felt it showed the routine re-incarnation drama with a million elements and that to me is intelligent cinema. You get the feel of that era, there is a subtle connect with Karz, only if you wanna see it. There is a lot of exaggerated play up of emotions, there is that trademark music.
Post-thirty years, running around trees is replaced by item numbers, the actor or the main lead has more say in the movie than the director himself. Cinema is more real but at the same time more plastic.
Arjun Rampal was superb. Deepika can act. Shah Rukh Khan looks sexy with the six packs. Shreyas Talpade's timing is brilliant. Kiron Kher's rendition of Nirupa Roy is worth watching.
Music was not bad either. The title track and 'ankhon mein teri' are songs you take with you. I also liked 'kaise naino se nain milaon sajna!'
OSO was a blend. The struggle of a junior artiste, a filmi mother, star struck Om, so much in love, the villain with his cruelty, pappu his best friend forever and the love for cinema. It was entertaining. It was colourful. I laughed till I cried. After a long time, I was taking back with me just the feel good factor. Happys Endings!
It was special cos I watched with one of my bestest friends. An evening I wont forget for a long time to come.
Tum bore to nahi hue na?
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